A Quiet Escape in Tony Lio’s “Better to Sleep”

Tony Lio’s new single “Better to Sleep” feels like a quiet talk you have with yourself at 2 a.m. when the room is dark and your phone is face down for once. It is simple, honest, and not trying to impress anyone. That is part of what makes it work.

The song comes from Lio’s latest EP collection, Mirage Masquerade, and it marks a clear shift in his approach. This time, he strips things down to the basics. No extra noise. No hiding. Just melody, feeling, and a clear idea. The theme is something most people know well. Sometimes it feels easier to stay in your head than deal with real life. Sleep becomes a break button. Not a solution, just a pause. And sometimes that is enough to get through the day.

“Better to Sleep” is calm but not empty. It moves slowly and lets the emotion breathe. Tony’s voice sounds close, like he is sitting across the room instead of shouting from a stage. The melody sticks without trying too hard. It is the kind of song that sneaks up on you, then hangs around longer than expected.

A big part of the song’s strength comes from collaboration. This track reunites Tony with producer Christopher Kapshock, a longtime creative partner from his earlier releases. You can hear the comfort and trust between them. Nothing feels forced. It sounds like two people who know when to step back and let the song speak.

Mackie June adds harmony that lifts the track in just the right spots. Her voice wraps around Tony’s in a way that feels natural and warm. Not flashy. Not dramatic. Just right. It adds depth without stealing focus, which is harder to do than it sounds.

Tony Lio has always balanced different styles, from harder hooks to softer moments. “Better to Sleep” leans fully into the softer side, and it suits him well. It feels like growth, not a detour. The song does not rush you or tell you what to feel. It simply sits with you. Like a thought you are not ready to let go of yet. If you have ever stayed in bed a little longer just to avoid the world, this one might hit close. In a good way.

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