“Get In The Front Seat II”: Kingdom Sound Machine Gives Barbara Efremius the Remix Glow-Up
“Get In The Front Seat II” feels like what happens when a good idea refuses to sit in the back. Barbara Efremius already had a strong start with the first version of the song, pulling in more than twenty thousand streams and building early momentum for her voice. Then producer Roy Hamilton III stepped in with that classic “I have an idea” energy—the kind that either makes something great or burns the studio down. Luckily, this one landed in the great pile.
The remix keeps the original message in place. It’s still a song about taking control of your moment and not waiting for someone else to hand you permission. But now the track moves with more color and more drive. The rhythm hits quicker. The bass feels fuller. And the new layers give Barbara’s voice more room to shine. It’s like the song traded in a reliable old car for something with better speakers and a smoother turn radius.
Kingdom Sound Machine plays a big part in that shift. The project is Roy Hamilton III’s playground, and he uses it to mix global rhythms in a way that feels natural. You can hear bits of Afro-pop, dance, and R&B coming together without fighting for attention. It’s a collaboration that doesn’t feel forced. It sounds like everyone walked into the studio, nodded at each other, and said, “Yeah, let’s make this hit harder.”
Barbara’s vocals are still the anchor. She has a calm tone that doesn’t try too hard, which is exactly why it works. In the remix, her voice feels even more centered. The production frames her instead of crowding her. Roy seems to know exactly where her strengths are, and he builds around them instead of on top of them.
The fun part is how the song now feels almost like an invitation rather than a statement. When the beat drops in, it doesn’t politely ask you to move. It gives you a gentle shove. Not enough to spill your drink, but enough to remind you your legs still work. Kingdom Sound Machine prides itself on pushing boundaries, and you can tell. Roy has been producing major artists for years, and that experience shows in the way the remix is shaped. It’s clean, polished, and confident without losing the original charm.
The track is out on all streaming platforms, ready for playlists, parties, and those random late-night cleaning sessions where you discover you dance better with a broom than with actual people. No judgment.
“Get In The Front Seat II” is more than a remix. It feels like a bigger step into the world Barbara is building. If this is what happens when she hands her song back to the team for a round two, then listeners are in for a feast ahead.
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